“I’d summarize
Oman in
three words: tranquil, friendly, safe.
Our local guide,
Yusuf, characterized his homeland this way: “Oman
is like Dubai was thirty years ago. Our
economy is also based on oil, but while Dubai built towards the sky,
we prefer to keep our feet on the ground, and preserve our
traditional lifestyle, culture and architecture. We’re happy to
show the beauty of our country to those who aren’t interested in
diamonds and skyscrapers, and would rather experience a tranquil,
friendly, safe country and hospitable people.”
Don’t hesitate to
visit Oman!
Browse the internet for interesting sights, and book
either a half-day city tour, a whole day excursion or even a one-week
adventure taking in the whole country. Ever more local travel
agencies specialize in catering for tourists – especially one-day
jeep tours. Wearing a local dishdasha – a white, ankle-length robe
– and a traditional hat or turban, our driver/tour guide is
focused on making sure that we enjoy our trip, see all the important
sights, and tell as many of our friends as possible about this
fantastic country. In a date
shop in the old town of Nizwa there are 57 separate varieties,
arranged according to their sweetness. After sampling and buying
some, you can enjoy them alongside a cup of local cardamom-infused
coffee.
The main attraction
of the capital, Muscat, is the Al Alam Palace, the royal complex of
the Sultan. Few know what the dominant decorative colors of blue,
white and gold signify: everything that is most important to Sultan
Qaboos. The blue signifies the sea, and the country’s rich maritime
heritage. The white signifies peace, and Oman’s characteristic
pacifism. The gold symbolizes the golden desert which covers so much
of the country.
To reach Muscat’s
principal attractions – the Mutrah souq, the sultan’s palace and
the museums – we took one of the buses on the red line, which come
every twenty minutes and are much cheaper than either the shuttle
service or a taxi. Another line took us to the Great Mosque and the
city’s biggest shopping mall. The Great
Mosque, named after Sultan Qaboos, is a
must-see attraction. This is the only mosque that tourists can visit
in the morning – though not on Fridays. Women, of course, are only
admitted in locally appropriate clothing – a long-sleeved top, long
skirt/pants and a headscarf. If you don’t come prepared, don’t
worry! By the entrance are some friendly local girls who can fit you
out with an abaya and a hijab for a nominal rental fee. Even just for
the memorable photos, it’s worth taking advantage of this option.
Taking a jeep up
to the highest point in the Hajar Mountains, Jebel Shams, was a
fantastic experience. From there you can gaze down at the so-called
‘Omani Grand Canyon’ which has many interesting rock formations.
Another option is to visit some oases, Wadi Shab and Wadi Bani
Khalid, which are like something straight from a picture book. If you
really want to get off the beaten track you can take a 4x4 drive
through the sand dunes of the desert, ride camels and sip tea with a
Bedouin family, or photograph a picture-perfect campsite in the
middle of the desert.
The famous
fortresses: Nizwa Fort and the fortress of Bahla are both UNESCO
world heritage sites, and the fortress of Jabreen is also an
unmissable sight. These are the remaining witnesses to Oman’s long
history. Oman’s second language is
English, and almost everyone speaks it to some degree.
The people are friendly, helpful, and proud of their nation and their
culture.
Traditions and a
historic past, however, do not prevent Oman from also having a modern
identity. In Muscat you will also find shopping districts, fast food
restaurants and western-style shopping malls.
But where else can
you enjoy a meal surrounded by cheerful Indian and Pakistani guest
workers eating strictly with their right hands, then stroll through
an evening bazaar thick with fragrant incense smoke while the muezzin
evocatively calls the faithful to prayer, and stroll around a fine
fish market the next morning and learn about the country’s
historical heritage in fine museums? (2018)